April Uprising is John Butler Trio‘s fifth studio album since their first over ten years ago. The John Butler Trio is a jam band/ folk roots group from Australia led by guitarist and vocalist John Butler. This band has flown under the radar since their creation but are adored by the independent music industry, including myself. I’ve had the pleasure of seeing them live and their musicianship is outstanding and the show is mesmerizing. John Butler himself comes off as a very cool and down to earth kind of dude (literally). The trio incorporates banjos and bongos in their shows, and can turn a five minute studio song into a twenty minute extravaganza. Don’t expect much of that in their new album, however.
April Uprising is undoubtedly a good production, even by John Butler’s standards. The sounds in each track are diverse and unique, and the bass line always bumps a funky groove. Tracks such as “Close to You” or “Don’t Wanna See Your Face” represent the classic John Butler Trio sound. In fact, overall this album has a very funky feel to it. Songs such as “Revolution” and “Ragged Mile” represent the trio’s versatility and ability to seamlessly transition into a folk group. But this funk and folk combination has come to be expected in every John Butler album. The problem? It’s not funky enough!
The case of John Butler Trio is very similar to that of the Kings of Leon. April Uprising represents a transition to a more studio-based, pop-alternative-rock album than the previous albums. Just like Kings of Leon’s Only By The Night, April Uprising should draw in a larger fan base, at the expense of others. I stay true to John Butler, just like I did Kings of Leon, as this album was enjoyable and musical. But the continuous classic sound of Grand National, one of my favorite albums of the year, is found only in increments in April Uprising. I can’t label John Butler as sell-outs, but they are certainly trying to make a splash in the mainstream market.
Perhaps the (relative) failure of this album is the replacement bassist, Nicky Bomba. No doubt his sound works with John Butler, but Shannon Birchall will undoubtedly be remembered for the ease and intricacy of his grooves in Grand National and Sunrise Over Sea. The most interesting song on the album responds to Shannon Birchall’s leave from the group, “Johnny’s Gone”, where John Butler claims they don’t need him and “have a lot left in the tank”. The song and album is a real tribute to their potential, but they certainly lack that same sound from the earlier years.
Highpoints: One Way Road, Don’t Wanna See Your Face
Lowpoints: I’d Do Anything